Going large, how blowing up images changes their character and impact.

Vinyl banner print by Jon Tremlett for Soulcraftcandy.

Another project that has spent many a month in the pipeline is the continuation of an experiment I started last year, where I wanted to see what impact it would have if I blew up one of the drawings to something like life size. While I’m still very much trying to figure out a way of being able to draw at this scale, it seemed like a good idea to get something printed in order to be in the position to make some judgements about how to approach such a challenge in the future. Initially I’d enlisted the help of a good friend, an architect with a big format plotter, to run out a couple of A0 sized sheets with the sketch image of the above drawing on. Taped together, these looked pretty impressive though the paper wasn’t too keen on staying very flat for long. Follow this link to that particular post.

After some further investigation, and with one eye on the possibility that I could use such prints for other purposes, it became clear that the best thing to do was get something printed on vinyl as a kind of banner. So this is what you see above, hanging in my dining room. It’s a metre and a half square, roughly 60 inches across and high, and is a thing of beauty, even though I say so myself. Well, I would, wouldn’t I ?

Vinyl banner print detail by Jon Tremlett for Soulcraftcandy

The jump up to such a scale causes you to regard the image in a very different way. The first is that it challenges your perceptions in that one hardly ever sees a cartoon at this size, so one is confronted by a strangely proportioned interpretation of a man and his machine. Some things fit and others don’t. The other change is that the print doesn’t hold any of the information in it back. Every single mark, line and cross hatch is revealed in all its glory, and so what appears a very neat drawing at normal size takes on a looser and more sketchy feel. As the creator, this change is not unlike revealing ones inner secrets of technique and skill to the viewer. Letting them see every stroke of then pen, every guiding thought and inevitably, every mistake. All unexpectedly liberating to see everything laid bare in this fashion. The good thing is, though I may stand to be corrected by others, that the drawing doesn’t suffer for this jump up in size in my mind, it still looks like a drawing, just a very big one done with a very big pen.

I’ve resolved to have some more of these prints done, and it would be really interesting to see what happens to one or two of the colour drawings. To see how every small daub of paint is shown in minute detail. The main challenge will be choosing which one to reproduce. Some would suggest that a painting should never be enlarged beyond its original size but, we do this to photographs so why not something made by hand?

Before I go I’d just like to mention that although vinyl banner printing is a widely available service, it pays dividends to find a printer one can talk things through with before placing the order. So many companies offer a web based service and instant file upload facility, but it’s the ability to see what your final print will look like where many fall short. Luckily I found one who did, so I’ll be visiting them again. If you need to know who they are please contact me.

Today I drew a car!

Mustang sketch by Jon Tremlett for soulcraftcandy.

I’m currently working my through a small book I bought recently about creativity. Needless to say I find it extremely interesting. The book is called “12 Rules of Creativity” by Michael Atavar, you’ll find it here. In the opening chapter is some stuff about training your eyes to really look at things, to really see what’s in front of you. What’s this got to do with drawing this car? Well, I’ve tried a number of times over the last few months to get this picture underway, and each time I have utterly failed to capture it in any way that was remotely close to what I was looking for. Realising the other day that it would be a good idea to have another go, I thought I’d read that chapter in the book again before picking up the pen. By reading the pages and looking up at some photographs I’d taken of the car on the computer screen, it was suddenly much easier to see what I was looking at and, see in my minds eye the composition of the image I wanted to create. Funny that. I’m not exactly sure how it worked but some connection in the brain suddenly got made, and forms that I’d struggled with previously seemed to be more easily understood. Once I’d established an eye line and got my head around the extreme perspective the sketch progressed fairly quickly, though I did have to have a couple of goes at getting the wheel angle where I wanted it.

Consequently I’m pretty happy with this first drawing, which I’ve done in my favourite blue Bic biro on a very cheap sketch pad. It will go onto the light box next so that it can be traced onto some watercolour paper ready for painting and inking.

Ultimately the picture is going to be a gift for my friend Christophe in France. We will be visiting him next month for a house warming party, so I’m hoping he’ll like it and put it up in the new place. He’s a confirmed petrolhead, and this is him in his beloved Mustang, a car I can only describe as a ballistic tank.

The strength of conviction.

I realised this morning, with a somewhat heavy heart, that I hadn’t posted here for over a month. The shame induced by this sorry situation was dealt with swiftly, over a cup of coffee, as I set up the computer on the kitchen table and took some photographs of the latest completed drawing. Working here rather than in my little studio has its disadvantages, the cat likes to clamber over me and wander freely over the keyboard, but the light is great and the french windows afford me a view of the sky and some trees which lift the spirits on a cold morning.

The Bull, biro on drawing paper by Jon Tremlett 2013

So here, finally, is the finished version of The Bull. Regular followers will know that this drawing has taken me an age to complete, and has also been the reason behind a creative journey from unbounded enthusiasm, through plodding frustration, and finally to a kind of relieved joy. Shutting it away in a drawer and going off to do other things helped to put some distance between me and the problems I had with it but, what actually tipped the balance was showing it to my partner and talking the problem through. Fresh eyes and a critical view from someone possessed of no mean creative talent themselves, helped me to see what I had previously not been able to visualise. With refreshed urgency I was then able to finish it off in a single afternoon sitting.

 

I have just started reading a very interesting little book about drawing and I’ll post my thoughts on it when I’ve got a bit further through it. I’m only a couple of chapters in but have already come across a possible explanation as to why this particular image was so problematic for me. Courage, or the lack of it, was holding me back. The fear that I would end up making a complete pigs ear of things was actively stopping me from making marks on the paper, even in light pencil. My minds eye knew roughly what I was after but the connection between imagination and enactment was somehow broken. The fear of failure, of coming away from something one had already invested so much time in with little to show for it, had called a halt to the free flow that had powered the making of the drawing thus far. By taking a break and sharing it with another set of eyes I realised that it was the strength of my conviction that was holding everything up. Rather than deciding on a single course of action and working that through, I had been sketching out possible solutions without really settling on any of them. I had put myself at the centre of a loop I couldn’t get out of. Loop broken, I was able to focus and finish the task quite easily. Much important learning was done. This doesn’t mean it won’t happen again, but at least I’ll have a better idea of how to deal with it when it does.

 

I hope you enjoy the picture as much as I do now.