Confronting your creative comfort zone, one step at a time.

Paint and ink detail be Kon Tremnlett for Soulcraftcandy.

Welcome to the first post of the new year, a year supposedly fully fueled with fresh resolve to go beyond merely just carrying on. Actually, to be honest, I made no new resolutions regarding the blog, and this may end up being a good thing as it will keep the devil of disappointment from the door for a while. Y’see, it’s not even the end of January and the thieves of time have already raided the creative cupboard and made off with more than they usually swipe. The important thing at times like this is not to stop altogether, to keep chipping away, even if it is only a small bit at a time. This is how it goes sometimes and part time work can often morph into something with a greedy appetite for your precious time. I liken it to when we used to listen to the radio on sets that possessed a manual tuning dial. Often the signal would fade or go crackly, and in order to hear the music again you had to lean over and move the tuning control ever so slightly. Clarity would return. So currently the dial of life needs some subtle turning to get back to a more balanced feeling.

 

But creative work never stops and thankfully the drawing projects are still on going, just a bit more slowly than usual. The image above is a detail of what’s on the drawing board right now. Essentially it’s a larger colour version of a drawing I did over a year ago as part of the original cafe racer series in biro. I’ve been wanting to do a colour one for ages, so got the brushes out just before Christmas and have been chipping away ever since.

 

Like previous pictures this one is being done on Bristol Board using water colour washes and my trusty technical pens. Although progress is slow, I’m enjoying every minute of it and, taking my time has allowed me to make some considered changes to my plan and think a bit more deeply about what I’m doing.

 

This is all good stuff, but it’s also causing me to realise that I should perhaps be trying to do more with the paint. I’ll try and explain what I mean. At the core of it would be a feeling that I am not a natural painter, someone who’s automatically at home with the medium. For me, and this probably harks back to formative years, the application of paint to an image has always been a colouring in exercise, following some kind of predetermined outline to render a colour picture. It has never really ever been used as an expressive tool in its own right. As a result I’ve established this kind of comfort zone in which my painting exists and is quite cosy for me. So there’s a challenge in the near future to see if I can get out of that comfort zone and see if I can make more of what’s out there. People endlessly talk about thinking outside of the box these days, well this is a challenge of DOING outside of the box.Painting, whether it be in oils, acrylics or water colour is a combination of many skills and techniques and yes, it is daunting to think that one is only in possession of a small amount of skill and a couple of techniques but, it is also exciting to know that there is a world of image making still out there waiting to be tried. My professional life does not allow me the luxury of experimentation so, somehow expectedly, I’ll need to break some habits too if I’m going to improve my skills. Rather like the picture from the last post, you never know what’ll happen until you try, so flinging some paint around could reveal some interesting things. The key will be to learn, as much as create and make. Here’s to an experimental and rewarding 2014.  I’ll keep you posted.

 

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