The third version of this sketch is now complete as far as the main subject of the image is concerned. So as not to reduce the exercise to one of exact and complete copying I elected to change a couple of features about the central picture in an effort to try rendering certain details differently as much as to maintain my interest in it. So you’ll see that this time the main body of the engine is made to look black, the bike has taken on a two tone colour scheme and the rider figure has taken to wearing a check shirt amongst other small changes.
Third time around this was still a fun picture to create and the inclusion of a bit more detail in these small areas, such as the shirt material make it much more interesting to look at. It is often said that both God and the Devil live in the details and this is utterly true, ones treatment of detail can make or break a drawing or design, so a cautious approach is always a watch word when trying things like this. Is it successful? I’m not sure that success is the right word to describe it, though I would say that working at a larger scale, this drawing is only six inches wide, would help in depicting the finer points and relieve the need to try achieve things with a very small brush which is still too big.
This buff background arises from necessity as much as choice. I wanted to post the image before departing for a long weekend away so time is short. Some careful trimming of the scanned image and a block fill, with a little shadow, was the solution to time pressures. Judging ones own work is always tricky but in this instance I’d say it works quite well. The colours are suitably contrasty to give the drawing some “pop” and help it stand out. What really ticks the box though is the contrast offered between the very hand made nature of the painted image and the utterly smooth, flat nature of the machine made background. It would be interesting to see how this looks in printed form, something I’ll experiment with later perhaps, and equally, it would be interesting to see what happens when this flat colour is applied by hand using Gouache or Acrylic paints.
There is some black and white pen work which desperately needs attention lavishing on it so messing about with colour may have to take a back seat for a time. The challenge is whether this exercise has committed enough to memory for it all to move forward again the next time I pick up the brush.