In between times.

Cafe Racer sketch ©Soulcraftcandy 2013

There always seems to be a kind of unintended lull between the end of one project and the commencement of the next. It’s a time of reflection yes, moments spent considering the quality of the recently finished work but, it’s also a period spent shuffling bits of paper around whilst ones butterfly mind flits from one thing to another in an attempt to decide on what to tackle next. I am coming to the end of one of these phases at present. Whilst every impression is given that this is somehow wasted time, much more has been happening in reality.

 

Previously I mentioned wanting to get the nine small colour Cafe Racer pictures made into cards. Well, I did and they turned out pretty well. Using an online printing service that did some business cards for me a while back, Moo.com, I elected to have a small batch printed. The advantage of services like this is that you can order very small print runs which keeps your financial exposure to a minimum as you test the water, as it were. I ordered twenty of each design, so twenty sets in total. I also ordered twenty five each of three greetings cards based on the black and white biro drawings done last year. The intention is to try and sell them via the Soulcraftcandy store on Big Cartel. Well, that was the intention, and it still stands, though a good friend who’s starting up a bike building workshop and store has just taken virtually all of my stock off my hands, leaving me with a few greetings cards. However these will hit the store soon.

 

Time has also been spent thinking a lot about making stuff, something I haven’t done for a while and need to do more of. There are some fresh t-shirts sitting here waiting for an introduction to some printed transfers of some of the drawings, just to see how they’ll come out and to spur me into developing some specific images for printing on shirts in the future. Two books from the library about working in precious metal clay sit on the shelf awaiting further investigation, though I have no idea if I possess any latent jewellery making ambitions, and I’ve been checking out the costs of various sheet metals because I’ve got some mad idea that it might be fun to try and draw on metal with a Dremel tool. So, not much whizzing round the grey matter!

Cafe Racer © Soulcraftcandy 2013

To keep the hand and eye in shape, a couple of new drawings are about to start too, the first of which you’ll see here in rough sketch and tuned up pencil versions. I’ll try an ink and wash version, perhaps a biro one and, having just found an old dip pen in the drawer, perhaps an old fashioned inky thing. Time to get cracking.

 

 

Tail end Charlie.

Cartoon motorcycle art by Soulcraftcandy

“Come in No. 9, your time is up”!

 

So let’s hear it for No.9, the last one in the series and called Triumph Wings. Try as hard as I might, it wasn’t really possible to complete the group without doing one with a standing figure and in portrait format. I’ve mentioned before wanting to have nine of these pictures for a reason, and that reason is that I wanted to subsequently see what they would look like arranged in a 3×3 grid as a single image. At least with this one I know where it will go in the grid, in the centre as it’s the only one in portrait. Putting that collective image together, in Photoshop most likely, won’t be easy as there are all slightly different in aspect ratio so turning them all into some kind of square format will need some thinking about.

 

This one was a bit more tricky than some of the others, I had to redraw the figure a few times to get the posture how I wanted it, and there was more than one moment spent standing in front of a mirror with one leg stuck out trying to figure out the way denim jeans fold in that posture. The things we do for our art eh? The bike proved far simpler, being a head on view and so fairly light on detail.

 

The plan now is to have a small number of these printed as cards and offer the collection through the Soulcraftcandy store. That will be very soon so I’ll let you know the minute they are available, it will be soon. Watch this space.

 

No.8 and a trip to the Tate.

Matchless cafe racer by Jon Tremlett

This is number eight, the penultimate picture in this series and for me one of the best ones. Finding that the limits of my embedded knowledge were being reached I had resorted to flicking through one of the many reference books here in an attempt to top it up a bit. I find with great books that each different viewing often reveals a new set of surprises. In this case a lovely picture of an old Matchless jumped off the page and at once demanded to serve as inspiration for this picture. As with all these drawings the final picture is never really a true rendition of the reference, they all get pushed and pulled about a fair bit to suit the original vision, but this one’s got a bit more truth behind it than some. One detail in particular stands out, and is one that reveals how an utterly simple approach can be just as effective as a far more complex solution to the same problem. The simple curving shadow line along the fuel tank, to delineate reflection, very clearly says “polished metal” without the need to apply any more shapes, shadows or colour areas. A triumph of less being more, and oh so simple.

 

Yesterday I was lucky enough to get a ticket to the Roy Lichtenstein retrospective currently running at the Tate Modern Gallery in London. Although a fan of various aspects of Pop Art, I’d never really considered any of his work other than the large comic format pictures repeatedly paraded in front of us like Whaam! So it was very interesting to see a much more varied collection of pictures across a number of periods which followed the development of his unique style and approach. From his early experiments with abstract expressionism, through flat graphic interpretations of objects and on to landscapes inspired by chinese scroll paintings, with a fair bit of work in between, it proved an enlightening journey through the canon of an artist many might dismiss as a one trick pony. The landscapes and seascapes in particular, were both surprising and stunning, his Benday dot screen technique combined with some fantastically bold colours producing images that were both strangely mechanical and oddly dreamy at the same time. If you are  anywhere near London and the show is still running I would recommend going to see it. Rumours of ticket non-availability proved wrong, we got some without any problems. It’s on until May 27th.