Time to sell some prints.

 

 

A kind of hotrod.

So, another unscheduled gap in posting comes to an end, thankfully. Regularity and consistency remain difficult habits to develop but, this is very much a work in progress. It has been a busy time lately with much happening in the background, more about that in a moment, and the occasional distraction, for example a first time visit to Santa Pod raceway to see some drag racing and feed the imagination. All I can say at this juncture about that experience is that I have never heard anything quite as loud in my whole life. And spectacular too, despite it being a “nostalgia” meeting, much of the machinery looked anything but old or remotely passed its best.

 

What’s been happening in the background has been much more exciting though on a personal level. Prompted by a steady flow of positive comments, and encouraged to make something more of this drawing project I’m engaged in, it’s time for others to have the opportunity to enjoy the drawings as real things, beyond the virtual world on screen. As a result I am in the process of setting up a small internet shop through which you will be able to purchase high quality art prints of a selected group of drawings. I have been lucky enough to find a fantastic printer who I know I can rely on and whose attention to detail and quality of output are superb, so I am very enthusiastic about moving forward. The shop is not live yet but, getting this far has been an interesting journey through online service suppliers, low level brand fiddling, design, learning about print technologies, and cardboard tube sourcing. Currently the final details are being sorted out in readiness for the grand opening and are reminding me that there is no substitute for putting in the effort and getting it right first time. So the next couple of weeks is promising to be very interesting as things come together, and I will be posting regular progress updates as Soulcraftcandy enters a new era.

 

I have found a little time to do some drawing too. Not as much as I’d like but enough to keep the hand and eye in. Todays picture is a sketch in which I’m trying to do two things. The first is to draw at a slightly larger scale than before. This drawing is about 20 inches across, which is quite a bit larger than previous pictures and challenges my ability to make all of the proportional changes needed to jump up in size. Harder than it sounds.

 

Secondly I’m having a go at trying to concentrate the detail and tonal density of the drawing at the centre of the page whilst the outlying areas of the drawing fade away, and couple this with leaving the rider figure outlined but unrendered. The eye and brain, working together, have an incredible ability to complete an unfinished image, to fill in the gaps, if you can give them enough basic information to start with. This drawing may not be finished in the true sense of the word, but in another way it already is. In some ways it’s already a bit overdone but, finding that fine line between the two seems to be something worth spending some time trying to find.

 

Finally here is a very loose preliminary sketch for the above bike and I’ve got a funny feeling this isn’t the last time this one will be influencing another drawing. You will also notice the inclusion of a new logo, a small sign that things are changing. More about that next time. Watch this space.

Hotrod sketch

 

 

Sidecars part deux.

Completing the drawing featured in the last post it was clear that there could be something in this sidecar thing. It’s great to “bank” a decent drawing early on as it provides a good spur to stick with a subject for a while and see where it takes you. It can be so easy to look at a picture and allow your brain to say “right, that’s that done, now for something else”. Your ability to say no to your inner self is a small bit of discipline that can take a heck of a lot of learning. So I thought I’d play with the subject for a while.

 

Initially I wasn’t too sure exactly why sidecar outfits are suddenly holding my attention but having thought about it for a bit there are some very good reasons why this is the case. Catching the televised coverage of this years Isle of Man TT races I realised how much I enjoyed watching the sidecar races and how utterly bonkers the whole thing is. It’s a kind of controlled madness and as such is very exciting. The machines today are a good deal faster and the whole dynamic is much more violent than in yesteryear, but it still amazes me how they do it. Modern outfits are more streamlined bullet than bike and sidecar combinations of the past, and it is these old solutions to solving the same problem that offer a great opportunity for some fun images. There’s more exposed machinery to try and capture, an engine you might get a glimpse of, some extreme gymnastics on the part of the passengers and everything about the machine is straining to follow that fine line between going fast and tipping over completely. It’s a target rich environment as it were, and one that I hope to spend some time having a look into.

The post images today are small sketches done following the bigger drawing. The top image is a quickie to see how the idea might look with some colour applied. The half finished view is how it looked before I caved in and added the sky and track edge detail. The final image is another very quick sketch where I’m thinking about including more than one outfit in the shot. A big colour drawing is definitely on the cards as a result and there are others that I’m working on now which are helping me explore some new techniques and media. They will be up here soon I hope.

 

 

Sidecars, an unexpected delight.

Sidecar No.1

Those of you who have been visiting the blog over the last few weeks and months will have heard me mention on more than one occasion that it’s a bit of a habit to be working on more than one thing at a time. You will also be familiar with my list keeping that helps to organise the workflow and assist in prioritising the order in which things happen. You would think, perhaps rightly, that these two things would conspire to keep the imagination fully fueled from now until some point in the distant future, and generally you would be correct. But sometimes a proverbial “curve ball” comes in from nowhere and changes the game plan completely.

 

On this occasion the disruptive little agent of change came calling whilst sat on a bench in a local park. I was deep into the Cafe Racer series and pretty sure what I was going to be doing next. It wasn’t a particularly nice day to be lost in a reverie on a park bench but that moment of free thinking just threw this word at me: Sidecars. I reached for my trusty A6 Moleskine notebook and made two very quick sketches which are shown below. No notes were made, just these two little scamps.

Back in the studio, pen hit lining paper with a rare intensity and within a very short space of time I had the bare bones of a much larger drawing, the big one at the top of this page. It’s rare to find myself able to work this fast, or this accurately, straight to paper. But knowing these moments don’t always come voluntarily lends them an exciting urgency which is best served by going with it for as long as it lasts. The drawing was “finished” the following morning, in the sense that it had reached the point where adding any more would have spoiled it.

 

It’s fantastic when this kind of thing happens. It’s so easy to get sucked into a situation where a schedule that you’ve created in an effort to ease any anxiety about what to do next becomes constraining, is actively removing flexibility from your working. It’s a psychological thing as much as a practical one obviously, and you’re never really tied to your plan, but it’s there to give you purpose. The unexpected game changers are great because if you’re open enough to engage them when they occur, you quickly realise that as important as it is to have a plan, it’s equally important to have the courage  and ability to change that plan and not be a prisoner of it.

 

Go with the flow, and see where it takes you………….