Perseverance rewarded.

Street Racing No.2

You don’t have to look far across the walls of the studio here, or delve too far into one of the sketchbooks lying about, to find a list. Lists of drawings to do, subject areas to take a closer look at, details to get images of and compositions to work up into something meaningful. Lots of lists and so always seemingly masses to do. Visiting a list at the end of a project hopefully kick starts the creative muscle at a time when all it really wants to do is take a break.

 

The latest visit has yielded the above drawing which has been sitting rather unloved in a large pad that spends most of its time being moved around to make room for other things. Such is the way of small rooms and large flat things. Anyway, it has sat there patiently waiting for its moment of glory, inclusion in a post in it’s final form. It’s called Street Racing No.2, following on from a previous drawing, done in a style I rather casually refer to as scribbling. It needed finishing off. Drawn pretty much directly onto the page over a very vague pencil layout, this technique involves a very light touch with the pen, working around the image in a very sketchy and indeterminate way.  It builds the picture very slowly and is without a doubt very time consuming. This is one of those methods that really tests your resolve to finish the piece, to persevere and get to the end knowing you’ve chosen this path yourself. Yes I know this is a relatively small drawing, but it does provide an insight into what working at a much larger scale involves in terms of focus and momentum.

 

Perhaps that’s why I haven’t undertaken any more of these recently. This one is spread across a sheet of A2 paper in landscape format. This is a lovely scale for a drawing but brings with it a firm refusal to fit onto the scanner bed in any orientation, even breaking it into sections. Hence this view is a bit lacking in some of the finer detail as I had to shoot it with the camera and fiddle about quite a lot in Photoshop.

 

So that’s another item to cross off one of the lists, but it’s already prompted the addition of another item on another; do something about a lighting set up to enable better photos of larger pieces, or get a bigger scanner……..

 

Background noise.

As mentioned before on the blog there are always things going on in the background while work on the larger finished drawings is progressing. Sometimes this takes the form of working sketches which will form the basis of larger works, at other times they are small drawings that are used to practice techniques or develop an idea.

Above are a small group of what are known here as bikeheads. Invariably the larger drawings contain a character or two and it is often a challenge to get them looking right for the given context that they find themselves in. Finding the correct pose and body shape is never simple and the same goes for facial expression, and how this reflects the characters personality. The former are dealt with purely through sketching out varying forms but, the latter is harder, especially when you realise that even the slightest variation in line can change a facial expression completely. So as an aid to get things going I have started a kind of character bank in which to keep all the doodles of heads and faces that appear through the sketch sheets. It will then be easier to have a look through and find some inspiration when it’s needed. Adding some colour to these helps to bring out the character and keeps my colour pencil technique up to scratch too if it’s not being employed elsewhere.

Which leads me neatly onto this second group. Back in December a post contained some small groups of varying bike styles I was playing with at a reduced scale. Those had been completed in crayon and ink. These above were done purely to see what would happen if they were done using liquid inks and watercolours. To find out how intense the colours would be and how much of the detail could be held  given the very liquid nature of the medium and the coarser paper used. Very fine Rotring pen has been applied too, to firm up[ the outlines and add extra black where desired. The paper was fine for the paints but proved to be a bit too “wooly” for the finer stuff subsequently done with the pen. Next up will be a test on harder paper.

Some say you can’t learn to draw from a book. This may be so, or not, but a couple of really useful books I refer to regularly are Action Cartooning by Ben Caldwell, here, and Cartooning The Head & Figure by Jack Hamm, here. Both are invariably out on the desk when character sketching. Neither will teach you a style but, both will inform whatever your personal style may be. Great books.