As I mentioned in the previous post, the composition of the first picture for Mr. C needed further work resulting in a bit of a redraw. It’s funny how it works sometimes. In your mind you’ve got this image that you think is what you want. Then you draw it out and it’s a million miles away from what you are actually after. So after staring at it for a good while you redraw, thinking that this is going to be a bit of a marathon, and “pop” out comes what you were looking for in the first place. This is not the first time this has happened, so I don’t waste any energy thinking every first rendition will be the right one.
So what you see above is the tightened version made from the blue pen sketch. I use my small home built light box for doing this. It’s essentially a tracing exercise where all of the details are positioned where I want them and I sort out the final angle projections for the wheels and stuff. The hardest bit is getting the position of the figure right, and this will often involve several bits of paper as I try and find the right one. For example, the lower leg and foot in this picture was particularly problematic, for some reason I just couldn’t “see” it. I have a Japanese made posable figure here which I use in situations like this, he’s a very useful piece of kit.
I also had to do a fair amount of work on the chasing police car down in the lower right hand corner. The one in the main picture here is a kind of modern version based on something they might use right now but, it doesn’t sit well with the overall feel I’m looking for. Something more retro was called for as I want to create a notional connection with the original age of the bad boy Cafe Racer. Searching the web, as you do, turned up some fabulous old pics of what we would call here in the UK, Jam Sandwiches and Panda cars. Just like all modern societies we seem to relish the opportunity to give anything to do with law enforcement a nickname. So the force, “Plod” would drive “jam sandwiches”, essentially white cars with a dirty great red stripe down the side. These superseded the “Panda” cars which were oddly light blue with white doors and very slow. I digress. The other picture here today is my final choice for the police car. An early “Jam Sandwich” of the Triumph 2000 variety, suitably festooned with period accessories including the big illuminated box on the roof (a massive air brake), crappy roof mounted spots and a great big siren mounted in the middle of the bonnet to aid engine cooling. It takes me back to my youth tearing about the neighbourhood on my old Yamaha avoiding these characters.
From here there follows another light box session to transfer this onto Bristol Board ready for the final step which is the biro inking stage, which oddly I’m looking forward to a great deal as I haven’t done one of these for some time. I’ll keep you posted on how it goes, and thanks for dropping by today.
Maintaining momentum, and keeping the creative juices flowing, is always one of the challenges one has to overcome when engaging in an artistic pursuit which has to fit in around the everyday goings on of ones life. It’s easy to loose the flow, and returning to an unfinished image rarely results in picking up the thread exactly where you left it. I suppose that one of the key disciplines of any artist is to develop techniques which enable you to do this as seamlessly as possible. I don’t have any hard and fast routines that I follow in order to make this easier but one thing I do do is always try and have a number of little projects on the go at any one time, all at different stages. This means that when I’m deep in thought about how to solve a problem on one picture, there is always another close by which I can engage with, one where the work is at a stage where I don’t have to overcome any issues in the execution. So dipping in and out of things keeps the creative ball rolling rather than running to a dead stop as endless time is wasted staring at a problem until the answer comes. In fact this act of “dotting about” helps me to uncover the answers that I’m looking for.
So whilst pondering what to do about the background for the picture featured in the last post, I had a good look through the “pending ideas you should really finish” pile and pulled one out to serve as the “other” project. I had a dabble last year with some sketches following a visit to a drag race meeting, made a couple of drawings, and then promptly left it there. I’m not sure why. This drawing above was all ready for some treatment having been carefully pencilled out onto a nice bit of drawing paper, I just hadn’t thought much about how to take it further. I’m not sure what inspired my choice of technique, it could have been my recent visit to Tate Modern to see the Roy Lichtenstein show or something else entirely. Doing something different really appealed though and so out came the trusty old technical pens and I set to work.
Although the dot shading is a madly labour intensive way to do things, this drawing proved to be very enjoyable to do and a pleasant alternative to the paint and ink technique I’ve been doing a lot of recently. You have to take a break every now and then though as all the little specks of black make your eyes go a bit funny after a while. It’s a lovely way to gradually build up tone though and really plays to the cartoon nature of the drawing. I’ve called it “The Slugger” after a certain baseball bat, a blunt though effective instrument that gets the job done. I hope you like it.
A slight deviation from the well ploughed furrow of motorcycle art today, as one of my other projects reaches its end. Now that the gift has been given, I can let you in on something that I’ve ben working on for the last few sessions. My friends visit the blog and so it is always a good idea not to show stuff too early, they may see things they’re not meant to.
This is a gift picture done for a very good friend, Martin, to celebrate his birthday. It’s done on A4 Bristol Board using my favourite current techinique of watercolour wash and drawing pen. My friend is a strangely quixotic german, and over dinner the other week my partner and I came up with this idea of the dis-functional knight based on the Cervantes character of Don Quixote. Oddly, Martin too has a sidekick called Sancho, his cat. It seemed very fitting at the time. It took more than a couple of goes to get the horse looking silly enough, but I think I succeeded in the end. And turning my hand to a bit of calligraphy, after rushing to the library for a reference book, was an interesting experience, like dipping a toe into an adjacent pool of different colour water. Needless to say Martin loved it, and his wife Adriana knew exactly what the picture was referring to.
Selling a picture is a rewarding experience and one always hopes that the buyer will enjoy it for many years to come. One is of course always happy and grateful for their support and custom, and it’s a great feeling knowing that you have made that connection with someone. Giving a picture, or indeed anything that you have created or made, invokes completely different feelings, particularly when it’s a complete surprise to the receiver. I get a real kick out of seeing their faces and feel tremendous gratitude from hearing their appreciation and thanks. I always hope that every time they see it, the picture reminds them not just of me, but of that moment and the friendship that we share. These kinds of gifts are often wholly unique and the investment in time, energy and care in their making says a lot about how much your care about someone and what their friendship means to you. It’s a wonderful thing.
Here’s the picture from the previous post all inked up and finished. This is as far as I want to take it. In contrast to the previous version of this picture, the one with the yellow fuel tank, this one was done with a black biro pen, I was interested to see the difference, and it works quite well though I have to admit to preferring the much blacker lines of the previous version. A good experiment to try though, and for me validates the decision to push the slightly more cartoony style on these smaller pictures. Because biro pen has the ability to give such a variety of line weight and density it’s always tempting, and indeed a struggle sometimes not, to get all carried away with layer upon layer of shadowing and tone which confuses the drawing. The stark simple lines created using the technical pens work well with the colouration to keep the drawing in cartoon territory which is what I’m after with these. It is also helping me get over my biro addiction.
Of course it would be a simple case of going over everything a bit more with the pen to blacken things up but the essence of the picture is already there in my mind, and that would simply look like trying to emulate one kind of rendering style with another. You’ll notice that the boundary box is grey rather than black in an effort to bring a bit of softness to the holding device as well. There are some grey pens here which I’ll experiment with to try and find my ideal solution. So, I hope you enjoyed seeing this one finally. On to the next one. More again soon.
Finally got around to putting the finishing touches to this one the other evening and so wanted to get it up on the blog as soon as possible. As much as I like the final result, it’s proving difficult to decide what to say about it today other than to ask the question, “is it now a painting?”
Certainly the character of the image is completely different, the starkness of the ink drawing is replaced by a softness afforded by the colour treatment. What’s also interesting is that even though a stronger connection to reality is forged with the addition of colour, it has also brought a stronger emphasis to some of the more comic elements.
The purpose of the exercise however was not to set up some kind of competition between the two images, more to explore how colour would effect the final outcome and to get my rusty painting hand back into action. Some details proved easy and enjoyable to do whilst others remained a challenge, so there is still work to do before getting to that point where one is confident in creating what your minds eye can see, on the page in front of you. They say that in order to truly become an expert at something you must practice it for something like ten thousand hours, quite a way to go if expertise is the goal. Thankfully it is not, well not yet anyway, re-learning to play with some colour media is. So there will be more of these.