It’s enough to make you dotty. A dragster in monochrome.

Dragster cartoon©JonTremlett2013 at Soulcraftcandy

Maintaining momentum, and keeping the creative juices flowing, is always one of the challenges one has to overcome when engaging in an artistic pursuit which has to fit in around the everyday goings on of ones life. It’s easy to loose the flow, and returning to an unfinished image rarely results in picking up the thread exactly where you left it. I suppose that one of the key disciplines of any artist is to develop techniques which enable you to do this as seamlessly as possible. I don’t have any hard and fast routines that I follow in order to make this easier but one thing I do do is always try and have a number of little projects on the go at any one time, all at different stages. This means that when I’m deep in thought about how to solve a problem on one picture, there is always another close by which I can engage with, one where the work is at a stage where I don’t have to overcome any issues in the execution. So dipping in and out of things keeps the creative ball rolling rather than running to a dead stop as endless time is wasted staring at a problem until the answer comes. In fact this act of “dotting about” helps me to uncover the answers that I’m looking for.

 

So whilst pondering what to do about the background for the picture featured in the last post, I had a good look through the “pending ideas you should really finish” pile and pulled one out to serve as the “other” project. I had a dabble last year with some sketches following a visit to a drag race meeting, made a couple of drawings, and then promptly left it there. I’m not sure why. This drawing above was all ready for some treatment having been carefully pencilled out onto a nice bit of drawing paper, I just hadn’t thought much about how to take it further. I’m not sure what inspired my choice of technique, it could have been my recent visit to Tate Modern to see the Roy Lichtenstein show or something else entirely. Doing something different really appealed though and so out came the trusty old technical pens and I set to work.

 

Although the dot shading is a madly labour intensive way to do things, this drawing proved to be very enjoyable to do and a pleasant alternative to the paint and ink technique I’ve been doing a lot of recently. You have to take a break every now and then though as all the little specks of black make your eyes go a bit funny after a while. It’s a lovely way to gradually build up tone though and really plays to the cartoon nature of the drawing. I’ve called it “The Slugger” after a certain baseball bat, a blunt though effective instrument that gets the job done. I hope you like it.

 

Are you ever unhappy with your work? Perhaps this is why.

Red_Jacket_Racer_by_JonTremlett2013

What do you do whilst thinking about how to finish a picture? This question is usually answered by going and doing something else for a period of time while the imagination, now freed from staring at the problem, finds a solution in its own time. In this instance though, the answer was to promptly do another picture. It’s smaller and was done a bit more quickly. When I’d finished it I was quite happy with it, the red jacket experiment worked well. The following day however, with fresh eyes. I didn’t like it at all. Something wasn’t right, and while I wondered what was suddenly wrong with it, I got to thinking about what it was inside me that would not allow the picture to enjoy any approval. This episode brought to mind a quote from a recent book about creativity by Seth Godin, “The Icarus Deception: How High Will You Fly”, which was shown to me by my partner a couple of weeks back. To me this quote goes some way to explain why we self appraise our work, not just that we do, and illustrates the relationship between the two agents of this internal process, ambition and taste. here it goes:

 

 On Good Taste.

 

Ira Glass understands how you feel.

 

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple of years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not good. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get passed this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have…… And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work, …… It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions”.

 

What I also found interesting about the above was that it explained to me something that has bugged me for ages. Have you ever allowed a friend or family member to see a piece of work? Has that viewing resulted in a spout of gushing praise that made you feel uneasy? After graciously accepting the praise, have you then struggled to explain why to you, in spite of their protestations, the piece is not very good at all and you should do better? I’m sure it’s not just me. The introduction of the ideas of taste and ambition really help to frame the argument you want to make, your only real challenge is to find the right words to use. Let’s face it, people get very upset if you tell them you’ve got better taste than they have! It’s surely about the education of that taste, and we are all responsible for our own in that regard. I must read this book.

 

Here’s to closing the gap.

 

Distractions, distractions.

Head_on_CafeRacer_©JonTremlett2013

Drawing and painting onto wood, drawing on metal with a Dremel, designing t-shirts, jewellery making, wood carving, sculpting, transferring images onto glass, painting rocks(!), etching, wire modelling, making enamel badges and resin casting. These are all ideas that have flown my way over the last few weeks. Whilst they are all valid, they are all residing in the possibilities box at present. Some are self generated and others come from those around me. Some arrive with the word ‘should’ tacked on the front somewhere, whilst others take a more open approach with the word ‘could’. I prefer the latter, it speaks of a freedom to chose, of open ended possibilities and creative potential, whereas the former does not, sounding often like a form of well meaning edict, but an implied command none the less. Anyway, there they all sit in the great lottery ball tumbler of options waiting for possible selection. While they are in there they churn around, the subconscious busy doing what it does best, sampling, analysing and interrogating each one in turn. I’ll report on what this process reveals in coming posts I’m sure.

 

This is a great thing but, my word does it create a mountain of distractions which have led to a kind of treacly inertia needing to be overcome each time the drawing board is occupied. I know that the best time to grab a new idea is when you can feel fired up about it, knowing that you will do something with it quickly rather than sit mulling it over. I can feel that moment coming but it ain’t today, or possibly tomorrow either. So in the meantime focus has returned to the drawings and paintings that have suffered from my neglect. The image above is where I’m at with a pen and watercolour rendition of one of those Rocker guys whose style seems to be popping up everywhere at the moment. Enjoy, and don’t forget, the store is open and has a limited stock of those greetings cards for anyone stuck for a gift for a biking mate.

Finally, with new followers arriving all the time, a big thanks to you all for your support and loyalty, it means a great deal and is a welcome spur to keeping going.