Creative imbalance and making the most of what you’ve got.

Small, but with lots of potential.

Small, but with lots of potential.

It is the only word I’ve managed to come up with in trying to describe what’s been going on of late, imbalance. I’ve got a fair idea about where it’s come from and it has taken me a while to get to grips with it.

Rather than castigate myself for allowing it to happen, it has been much easier to recognise it for what it is and deal with it through action and a little reasoning. This imbalance stems from a shift in my working life over the last few months, and hence my creative output, which I’d not accounted for. Although my role is only part time, it has involved a lot of idea generation and thus a massive amount of drawing and sketching. Big projects, which require a lot of this kind of thing in their early stages, need sustained creative input and masses of ideas. It’s exhausting, creatively and physically. Where I went wrong is not remembering this to be the case and failing to keep any creative energy in reserve for my own stuff once I returned home. So it’s been difficult to draw, but more to the point, it’s been hard to generate ideas.

Shed_2

I’m showing you a couple of pictures of my garden shed, here in my back yard, as it has proved to be the answer to coping with this imbalance. Rather than spend any more time staring at blank sheets of paper the solution lay in getting out there and making something, turning raw materials into something else, using some tools and getting my hands dirty.

 

There had been a plan in the back of my mind for a while to refresh the little 250cc motorcycle that I’d modified some years ago when I started this blog. Over the years, as the miles have racked up, it has suffered the usual knocks and scrapes that these things are victim to, and overall the finish was starting to look very tired. I wanted to give it a freshen up, and make some changes to the overall design that I’d not got right first time around. So what to do for a making project was all ready and waiting, I just had to start. Before now I have relied on using workshop space owned by other people, this time around I didn’t have that option so my little shed was going to need to be the work space that I could use. As you can see it’s a small building with very limited floor area, but it does have an electricity supply, a big light on the rafters  and a work bench across one end. It houses all of my various tools, materials and other useful stuff accumulated over years of working as a prototype builder and modelmaker. Being of a sturdy design and construction it allows all manner of things to be hung from the walls, freeing up floor area and permitting at least a modicum of organisation. I don’t own any large machine tools, I’d need a bigger shed if I did, so most of the work would be done with hand and power tools with my trusty old Black and Decker Workmate acting as a secondary work bench. The only thing I can’t, and likely won’t do in there is spray paint, that will have to happen elsewhere. The shed was here in the garden when we moved into the house and I’ve always wanted to use it as a making space. now was my chance to put that thought into practice.

It just about fits in.

It just about fits in.

The third shot shows the bike pretty much in the shed. I didn’t need it completely inside, just enough to get some soldering done on the electrical loom, but it meant that I could work on it in there if the weather took a turn for the worse. By being methodical and tidying up as I went it was utterly surprising what I managed to do in this small space. Most of us work in some kind of organised chaos. Some cope well the more chaotic things are, others less, and over the years my natural inclination has veered toward the organised rather than the chaotic and this is a boon when working in a confined space. Having everything to hand helps too but, the order one maintains around oneself really is reflected in how one deals mentally with the making process.

The fruits of my labours are in the next post.

 

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The Distinguished Gentleman’s Ride.

Ready for the Gentleman's Ride.

Getting togged up for an autumn sunday ride normally involves donning your favourite jacket, picking out some warmer gloves, pulling on those comfy old boots and changing the helmet visor for one not so darkly tinted. It does not usually involve pressing a clean shirt, selecting an appropriately coloured neck tie, applying polish to shiny black shoes, fiddling with cuff links and putting on a suit. But this is exactly what I found myself doing last Sunday as I prepared myself for the London staging of The Distinguished Gentleman’s Ride.

 

Initiated a few months ago by a bunch of guys in Australia in an effort to bring Cafe Racer and modified bike riding people together, the event has spread across the globe encompassing groups in cities across Australia, North America, Europe and beyond. The basic idea, to dress up nice and smart and gather at a pre-arranged location, before setting out across town together for a gentle ride to a destination where we can all park up, have a good chat and enjoy a drink (no-alcoholic of course).

 

As you can see I elected to take the 250, being the most modified of my two bikes. After a quick polish on the Saturday, and resplendent in its new fork gaiters and mini Bates style headlight, it certainly looked the part. The little bike performed perfectly, managing to hold its head high amongst a sea of much larger, more eye catching and certainly more noisy machinery. There must have been about sixty of us in total.

 

It would be impossible to estimate the number of photographs taken on the day by various attendees suffice to say that various albums are now posted on various sites. Anyone interested can find them at the excellent page for The Bike Shed here http://www.facebook.com/BikeShedMotorcycleClub  and at other various locations like the Sideburn Blog here: http://sideburnmag.blogspot.co.uk/2012/10/distinguished-gentlemans-ride-photos.html .

 

It was an excellent day and a huge thanks must go to Adam and the guys at the Bike Shed MCC for putting in the effort to organise a brilliant event. Great people on lots of great bikes. Roll on the next one, it can only get bigger.

 

The 250 build, nearing the end.

A slight diversion today as finishing the story of the 250 build is way overdue. So some words and pictures of painted bits, metal bits and a nice piece of leather.

 

With three coats of base black applied, a series of white stripes were then masked and added. Everything was left for a couple of days to harden up before a very fine rub over with extra fine paper prior to the lacquer going on. For reasons of cost more than anything I’d elected to use rattle can lacquer rather than 2-pack on all parts apart from the fuel tank, which would be treated to a good couple of coats of petrol resistant lacquer, again from a rattle can. In retrospect I wish I’d gone the 2-pack route but it made the whole paint phase way too expensive, the petrol proof stuff works well but has yellowed in places and was quite tricky to apply evenly. With the lacquer all hardened it was time for a good polish and I can’t recommend Autoglym Super Resin Polish enough. Fantastic stuff and everything was just so shiny shiny.

Two important pieces of metalwork remained to be fabricated as all the painted parts made their way onto the bike for the final assembly. I knew the area at the back of the seat needed tidying but hadn’t been able to do much about it without the seat so it was stroke of luck that the seat arrived back just in time from being recovered. The first task was to make a piece to shut off the open area between the new mudguard and the seat mounting assembly. this then wrapped over the seat mount and formed an infill sitting below the rear of the seat base moulding.As before I worked it all out with thin card first which meant I could create a pretty accurate template for marking and cutting the sheet steel which was cut flat and then bent up in the bench vice.

For ages I’d been wondering how to finish off the rear of the seat. Knowing that there would have to be some kind of cover plate didn’t seem enough, there needed to be something else in there to give a more finished look. The answer came to me out cycling one day when I spotted and old bicycle with a little pouch hung from the back of the saddle. I ventured onto the internet to see what I could find for motorcycles. As it turned out, not too much unless I wanted something that looked like it had fallen off the back of John Wayne’s horse, and tassels are definitely not my thing. Taking the bicycle route proved more fruitful and in a fit of extravagance I splashed out on this lovely little number from Brooks the saddle makers. I quickly made up an angle bracket to fix the panel to, mounted to the seat base, and again using some card drew around the profile of the seat and transferred it to another template for cutting. A couple of holes and two slots later I had a neat little cover panel that the pouch straps attached to directly.

 

With these two new parts painted black final assembly could continue apace, my deadline for borrowing the workshop was looming.