A new picture and an inspiring book.

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This is the second version of FlyBy. There wasn’t anything wrong with the first one, it just seemed like a good idea to do another one, and bring in some more of the classic cafe racer details like a black leather jacket with patches on and a big silver tank on the bike.

 

The background got really patchy on this one but once it had dried out fully it didn’t seem too bad after all. The colour works really well with the bike image and it would have been foolhardy to think that it could be rescued or changed in any way by adding more liquid. I’m really pleased with the reflections on the exhaust and the engine side cover, I confess I referred to some photographs to truly try and get a handle on these parts. There is certainly a “way” of doing these things, and it is reliant on being able to pick the information  you want from a photo as it is in being able to access ones embedded knowledge. The former certainly feeds the latter, the photos serving purely to inform what I’m doing rather than be representative of the only way things can be rendered. More of these to come.

This is a great book.

This is a great book.

On another note today, here’s a really great book to recommend. It’s called “An Illustrated Life” by a chap called Danny Gregory. Essentially it is a collection of features on various creative people and their sketchbooks, including he author, though the books are very much the heroes. It is a fascinating look into other worlds where the books are used as journals for recording everyday life, through to how various artists use them as repositories for ideas and laboratories for creative experimentation. To accompany all of this visual candy there is also plenty to read, each featured person is given plenty of column inches to explain what they use their books for, how they do it and, just as importantly, why they do what they do. It is all very enlightening and interesting stuff, I can’t recommend it enough as a source of energy, inspiration and delight. For any of us who spend any time slowly filling sketchbooks all this might at first seem a bit intimidating, but go with it and it soon becomes clear that we are all doing the same thing, just differently and individually. It’s readily available through all the usual channels. Here’s a link: To the book.

Illustrated_Life2 Illustrated_Life3 Illustrated_Life4

 

 

Worksheets, organising your ideas.

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I mentioned in the last post how hard it can be sometimes to keep track of ideas, organise them and maintain connection with them as you go. Those thoughts were prompted by a session going through the piles of loose sheets that don’t get put on the wall in the studio and the ideas that they contain. It’s amazing how fast one can build a pile of paper, and how much time one can spend subsequently sifting through them.

 

The new year has brought with it a desire to try and bring some kind of order to how ideas are collated and stored, and then how to access them a little more quickly. A solution, which I’m now trying to make a habit of, was found in a book and I don’t mind admitting as much. I’m lucky that here in Ealing I have access to a public library which has escaped closure. It is a fantastic resource for all kinds of things aside from books and is completely free. They have quite a good arts section and a good few books about all aspects of drawing and painting. One publication I borrowed recently was by a cartoonist and animator. An interesting book though much of it was very specific to his latter trade, but what struck me was how he organised his work. There were many examples of worksheets he created for each project which explored everything from frame compositions to colour palettes and other tiny details. Although most of it was way too complicated for my needs, it was the central concept of the worksheet that stuck with me. The sheet above is one of my first worksheets, or ideas sheets. I haven’t gone as far as making a grid of boxes to sketch in or scribble notes in but getting the ideas down this way helps with any grouping I may want to create, and more importantly it is now possible to increase the density of ideas stuck up on the wall by a considerable degree. So simple, so effective.

 

Keeping track of ideas.

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One of the consequences of conducting ones creative activities in a small studio room, essentially a converted child’s bedroom measuring barely 10×6 feet, stuffed with bookcases, desks, computers and all the required paraphernalia, is that keeping track of things is a perpetual challenge. The question “now where did I put that?” rings in my ears all the time. Any activity, creative or otherwise, brings about default behaviours in us like how we file things, store items and arrange our work area. We create our own individual systems which are very particular and often not logical in the eyes of others. I’m also sure it’s a truism that we spend countless hours every year modifying our little systems in the search for an ideal solution. I know I do, and it’s not always about easing the process of finding stuff. Being able to see your ideas is a very important part of stimulating the creative process. In the past I’ve enjoyed the luxury having lots of sketches and drawings laid out to view, it helps with seeing where you’ve been and also where you’re going, or would like to go with an idea. The challenge is being able to maintain that connection between your vision and the work in progress. This applies as much to images we collect as reference as to our own output.

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I have a wall in here upon which I stick sketch sheets and stuff, but it never feels big enough. As a result it constantly changes, acting as a road map for current work and keeping the connection going with ideas and thoughts which still hold my attention. It would be fantastic to sit in a studio the size of an aircraft hangar, but that’s not going to happen any time soon, so making the best use of what’s available really counts. The computer, which holds a huge resource in my image bank, and provides access to the universe of the net only has a screen that is so big. So to cram as much into this space as possible these compositions of ideas, as shown here, are a great way for me to see lots of ideas all at once, make decisions about them, and assist myself in direction finding.