Before the making starts.

Strange proportions and some serious wear and tear you can't see.

Strange proportions and some serious wear and tear you can’t see.

In the last post, which was primarily concerned with getting into some making as an antidote to creative imbalance, I mentioned that the project I’d be launching myself into would be a refresh of my already custom built little 250cc motorcycle.

Above are a couple of shots taken not long ago of how it was looking. From this distance and angle there doesn’t seem to be that much wrong with it but upon closer inspection it was really starting to show its age. First modified nearly six years ago, it has since endured a life of quite heavy use as a daily commuter and weekend run about. There were two aspects that I wanted to address in my refresh. Firstly, the finishes that I’d applied all those years ago were starting to look very tired. Numerous scrapes and scratches, injuries sustained from sharing public parking bays with careless scooter users, and general wear and tear had taken their toll on the paint work, and the protective lacquers applied to keep it all shiny had reached the limits of their life. Surface cracking and other problems giving the whole thing a rather worn appearance. Some patina of use is good, some just makes things look a bit sad and unloved. So time for a fresh face.

Secondly, there were some aspects of the proportions of the whole thing which I realised I hadn’t got very right the first time around. As you can see the bike is quite low at the back and high at the front, a product of it being a “Factory Custom” bike in its previous life. I wanted to reduce this height a bit to bring a bit more balance. The rear fender was causing me some worry too. I’d made it longer at the outset for practical reasons more than anything, to keep the road dirt off everything, but have come to see it as way too long, the overhang above the rear wheel being too far which seems to exaggerate the odd proportions even more so.

So the plan was to create two new fenders, or mudguards, see what I could do about the height of the front and give it a fresh coat of paint. Thinking it through it seemed like better sense to keep the guards in bare metal, very a la mode these days but, no more worrying about precious paint finishes on bits that get very dirty. I’d purchased two new rolled sections just for this purpose some time ago at a local autojumble so saw this as a quick fix solution that I could do at home.

Dealing with the front end would be a bit more tricky. The instrument bracket I’d made and its effect on the headlight position, together with the fly screen all contribute to a visual height at the front which seems at odds with the rest of the bike. Changing all this and giving it all a bit more breathing space should help, and mucking around with bar positions and suchlike will help too. The forks are pushed up into the yokes as far as they will go, so without drastic fork shortening there’s not much I can do beyond small changes. Some have suggested the more severe approach of having the frame modified but that’s way beyond the brief and, after all, this is a daily workhorse bike not a show pony aiming for total perfection. Not to mention the fact that major engineering of that magnitude costs a good deal of hard earned cash, probably more than the bike is worth.

The final piece in the puzzle will be the new paint scheme. The bike is mainly black and I’ll keep it that way. I want something subtle, but different enough to make it individual. With only the tank and side panels to do it needs to be quite simple. I’d like to have an element of hand painted brush work in there as well as a tiny splash of colour. I’m yet to settle on a final idea though I’m leaning heavily towards something slightly more decorative that a big white stripe. I’m going to keep in under my hat for now, until it’s resolved, as I’ve told a couple of friends it will be a secret until I’ve finished it. Don’t want to let the cat out of the bag yet.

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Alive and kicking.

Soulcraftcandy work in progress

It is probably very different for those who can maintain the discipline of posting to their blogs every day, but for the rest of us, who invariably post when we can, gaps appear in our flow and by the time we have seen them it is too late to close them up or fill them in. Such is the way of things. When posting relies quite heavily on making progress with a project or piece this is something you pretty much have to live with, cope with and try and overcome through trying just a bit harder. So, gaps are awkward but not the end of the world. My posting habits are erratic at times but this does not mean that nothing has been going on in the background.

 

Following the last post, showing the journey from blank sheet to finished picture (see below), work has continued on that small series, sketching out, drawing up and starting colour work on the last three images that will take me to the complete set of nine that I want. In the photo above, taken today in the mini-studio, you can see two of these remaining pictures. In the foreground is number eight just over half way through with most of the inking in done and only bike colour and background to finalise. Number seven, in the top left, is all done and only awaits a background block and final fiddling. I will of course post them up as they get fully finished. I thought this shot would also be useful for the fact that you can clearly see my technical pens lying next to the picture, which gives you a clear sense of the scale I am working at with these. Small.

Soulcraftcandy ideas and sketch wall..

This second shot shows the current state of my ideas wall. I am trying to develop the habit of changing it’s contents a bit more regularly though doubtless some of what you can see will appear very familiar to those who have been following the blog for any time. On the right hand side though you can see evidence of what has been occupying my blog-time of late. I have been getting some of the drawings ready for printing as small cards with the intent of selling some through the Soulcraftcandy BigCartel store. The top row shows some run-offs of the first set from the original Cafe Racer series done last year and below them are some prints off the home printer looking at how best to size these newer images for their own card set. Getting all the files clean after scanning, colour balanced and nice and crisp takes a good deal of time but hopefully the results will be worth it. So there is lots happening and I will be reporting on progress as the journey to print continues.

 

If you spotted it and guessed correctly, yes that is a picture of one of the cats at the very bottom of the shot, but fear not, this blog is not about to be overtaken by feline inspired craziness.

 

 

Worksheets, organising your ideas.

Worksheet_1

I mentioned in the last post how hard it can be sometimes to keep track of ideas, organise them and maintain connection with them as you go. Those thoughts were prompted by a session going through the piles of loose sheets that don’t get put on the wall in the studio and the ideas that they contain. It’s amazing how fast one can build a pile of paper, and how much time one can spend subsequently sifting through them.

 

The new year has brought with it a desire to try and bring some kind of order to how ideas are collated and stored, and then how to access them a little more quickly. A solution, which I’m now trying to make a habit of, was found in a book and I don’t mind admitting as much. I’m lucky that here in Ealing I have access to a public library which has escaped closure. It is a fantastic resource for all kinds of things aside from books and is completely free. They have quite a good arts section and a good few books about all aspects of drawing and painting. One publication I borrowed recently was by a cartoonist and animator. An interesting book though much of it was very specific to his latter trade, but what struck me was how he organised his work. There were many examples of worksheets he created for each project which explored everything from frame compositions to colour palettes and other tiny details. Although most of it was way too complicated for my needs, it was the central concept of the worksheet that stuck with me. The sheet above is one of my first worksheets, or ideas sheets. I haven’t gone as far as making a grid of boxes to sketch in or scribble notes in but getting the ideas down this way helps with any grouping I may want to create, and more importantly it is now possible to increase the density of ideas stuck up on the wall by a considerable degree. So simple, so effective.