Play with your paints.

To those of you visiting the blog it looks like nothing has been going on for some time. In some ways this is true and, in others, nothing could be further from the truth. We are all, at some stage or another victims of things that are beyond our control. Sometimes they are things which require our immediate attention, are complex problems that need solving, or often purely connected to the mundanity of modern life. In this case it has been the latter, the need to go out and earn a meagre living. This unhelpful chunk of freelance work, because I’d rather spend my time at home drawing, has been a bit of a distraction, one of those monsters with lots of problem solving thrown in to leave you drained at the end of every day.

Creative image making has not ground to a halt though, it has merely slowed a bit and this is mainly due to me getting my water colour paints out and having a play. Keeping any colour work and the monochrome stuff going concurrently is quite a challenge as they require you to switch between knowledge centres in your brain all the time and I find that quite tiring. But the colour experiments have been fun so far and I’ll get the results of this fiddling up here as soon as possible.

In the meantime enjoy the latest of my “bikeheads”. These are always quite small and so serve as a great way to warm up or practise a particular technique. Returning to the brushes even after a couple of days exposes some rustiness unless one is a consummate expert, and I am certainly not, so it’s a good way to get back into the swing of things. What is interesting about playing with the paints and inks is that the outcome is still often a surprise, invariably unexpected, both good and bad. The good ones prompt you to commit that small action to memory, putting it in the “do that next time” folder. The bad ones go in the “don’t do that” folder and usually make your eyes bleed. I’ve got one of those to show you next time.

 

A different approach to shadows.

Sidecar No.9

Finding the best angles and compositions for pictures invariably involves doing a great deal of exploratory sketching. On very rare occasions one might stumble upon something that feels “right” straight out of the blocks, but in most instances that is not the case. So beyond the couple of simple sidecar views that have emerged so far there is much work to do to find some more interesting compositions.

 

That said, here are another couple of Sidecar combinations which have been taking shape on the drawing table. Learning to get ones head around the intricacies of a new subject area is enjoyable though quite hard work. In these instances I’ve elected to try a different approach to rendering the drawing as well in an attempt to add a different kind of depth to the shadow areas as much as to the drawing itself. Although it looks as though some pastel has merely been smudged across various areas of the paper, the shading is in fact produced using an airbrush. Digitally this would be quite easy to replicate in Photoshop after completing the drawing but that is not what this is about. the idea is to roughly create areas of shadow over a rough layout first and then draw into those areas to bring out form and detail. It changes the way you approach the drawing and the way you work, which is what is interesting for me in this process. These are again done relatively quickly on Lining paper as the task of finding an alternative with the right texture is ongoing.

Sidecar No.8

In the second drawing I’m also trying to revisit the idea of leaving areas of the drawing blank, particularly in the direction of where I’ve elected to position the light source, so that the image kind of fades out. Again this is an interesting thing to try out as it plays with the idea that your eye and brain are left free to complete the image themselves based on the information that is already there. These are tiny steps to start with but, slowly things will work towards the limit of what you can get away with. As you can see from these two the slightly cartoonish style of previous drawings gets a bit lost with this shading technique. It’s still there in the engine details and other small parts, in this case I’d venture to think that my mind was rather distracted from it due to learning the subject and playing about with the airbrush. Still, they show promise, so into the gallery they go.

 

 

Sidecars part deux.

Completing the drawing featured in the last post it was clear that there could be something in this sidecar thing. It’s great to “bank” a decent drawing early on as it provides a good spur to stick with a subject for a while and see where it takes you. It can be so easy to look at a picture and allow your brain to say “right, that’s that done, now for something else”. Your ability to say no to your inner self is a small bit of discipline that can take a heck of a lot of learning. So I thought I’d play with the subject for a while.

 

Initially I wasn’t too sure exactly why sidecar outfits are suddenly holding my attention but having thought about it for a bit there are some very good reasons why this is the case. Catching the televised coverage of this years Isle of Man TT races I realised how much I enjoyed watching the sidecar races and how utterly bonkers the whole thing is. It’s a kind of controlled madness and as such is very exciting. The machines today are a good deal faster and the whole dynamic is much more violent than in yesteryear, but it still amazes me how they do it. Modern outfits are more streamlined bullet than bike and sidecar combinations of the past, and it is these old solutions to solving the same problem that offer a great opportunity for some fun images. There’s more exposed machinery to try and capture, an engine you might get a glimpse of, some extreme gymnastics on the part of the passengers and everything about the machine is straining to follow that fine line between going fast and tipping over completely. It’s a target rich environment as it were, and one that I hope to spend some time having a look into.

The post images today are small sketches done following the bigger drawing. The top image is a quickie to see how the idea might look with some colour applied. The half finished view is how it looked before I caved in and added the sky and track edge detail. The final image is another very quick sketch where I’m thinking about including more than one outfit in the shot. A big colour drawing is definitely on the cards as a result and there are others that I’m working on now which are helping me explore some new techniques and media. They will be up here soon I hope.