Ok, so I air-brushed it. Some may construe this as giving up, caving in and taking the easy way out, but I don’t see it that way. The concentric rings of colour idea was something I wanted to try, but knowing that it might not go according to plan, it was only common sense to have a solution tucked in the back pocket. Try as I might, I could not get it to work manually. The twin evils of watery paint and a shaky hand conspired to create a cringe making collection of patchy coverage and hopelessly imprecise curving lines. If it was a report card it would have had “Messy, must try harder” written large over it in red ink. I thanked myself for at least taking the trouble to try it out on a separate sheet of paper.
I’m sure it might have been less traumatic if I’d tried it in acrylic paint, or mixed up house paints, as a good friend has since suggested. But I really didn’t want to make another trip to the art store to purchase even more stuff that I would have to find a home for in the now bulging shelves of the studio.
The air brushing was not without its moments either. Purchased many years ago to apply even coats to a rather expensive model I was making, the airbrush has spent most of its life in its box, venturing out occasionally to be fiddled with but never wealded as a precision instrument. As far as using it to create a picture, the last time I tried that was at art school thirty years ago, and the results were pretty poor even viewed through rose tinted specs. I’ve never bought a compressor, resorting to cans of air such is the infrequency of its use. Anyway, armed with some low tac Frisk film I set about carving the concentric lines with a scalpel to create pieces of removable mask. I had completely forgotten how difficult it is to replace a curving piece of film accurately onto the page and that any overspray on the surrounding mask adheres immediately to your finger tips and goes everywhere you don’t want it. Result: another shocking mess. Finally, realising that the KISS principal (Keep It Simple Stupid) was my only option I recovered the piece in another piece of film, cut around the drawing to reveal the background space, and sprayed the whole thing in one go with blue emanating from one corner and the yellow from another. All the film was then lifted off when it was all totally dry. Et voila, finished, and despite being the result of expediency as much as desire it looks pretty good considering. The compromise may not be ideal but it saves me from looking at a finished piece with the perpetual frustration of knowing that a simpler solution would have yielded a better result.