It’s bright, I’m happy and it’s shipped.

The Thumper © Jon Tremlett for Soulcraftcandy 2014

Those little thieves, that like to pinch bits of your time when you’re not looking are still hovering around the studio, turning hours into minutes. I’m experimenting with various strategies to combat their fiddling, the most effective so far being to shut down the email at certain times and turn the phone to silent mode. It’s working but it’s not a long term solution.

 

Despite these distractions I have finally managed to finish the picture featured in the last post, and it would be fair to say that I’m pretty pleased with how it turned out. For a long time I wondered if the speed streaks would work, and was tempted on many an occasion to just leave them out. I’m glad I didn’t, they add a bit of direction and dynamism to the image which wouldn’t be there otherwise. It’s a detail I need to work on to get absolutely right but for a first attempt it’s none too shabby. I’m also very happy with the balance, between cartoon and reality, I have managed to strike. It is such an overwhelming temptation sometimes to get utterly carried away in the painting and start working too much realism into the colouring.

 

As for that background, well it just needed something massive and punchy to lift it off the paper and grab the eyeballs. I did it in Dr. Martin’s liquid water colour with an airbrush, using two variations on orange. First a layer of orange and then some tangerine layed over the top. I always find using the airbrush completely nerve wracking. Laying down the masking film is enough to give me the jitters on its own, and then cutting out the mask with a scalpel and removing the pieces turns me into a shaking wreck! Spraying seems to be the easy bit. The ink takes ages to dry properly and in the end I had to remove it from the surface of the film with a carefully placed piece of blotting paper and a roller. Only then is it safe to remove the mask, very, very slowly.

Detail of the Thumper by © Jon Tremlett 2014

As I mentioned before, I think I’ll leave this level of detail painting for a while and have a go at being a bit looser with things. I’ve been sketching out some other pieces in good old fashioned pencil this week and I want to take one of those onto a suitable paper and play with washes. I’m hoping it will be a bit experimental and free up the brain a bit, loosen the creative muscle as it were. I’ll let you know how I get on.

 

 

Confronting your creative comfort zone, one step at a time.

Paint and ink detail be Kon Tremnlett for Soulcraftcandy.

Welcome to the first post of the new year, a year supposedly fully fueled with fresh resolve to go beyond merely just carrying on. Actually, to be honest, I made no new resolutions regarding the blog, and this may end up being a good thing as it will keep the devil of disappointment from the door for a while. Y’see, it’s not even the end of January and the thieves of time have already raided the creative cupboard and made off with more than they usually swipe. The important thing at times like this is not to stop altogether, to keep chipping away, even if it is only a small bit at a time. This is how it goes sometimes and part time work can often morph into something with a greedy appetite for your precious time. I liken it to when we used to listen to the radio on sets that possessed a manual tuning dial. Often the signal would fade or go crackly, and in order to hear the music again you had to lean over and move the tuning control ever so slightly. Clarity would return. So currently the dial of life needs some subtle turning to get back to a more balanced feeling.

 

But creative work never stops and thankfully the drawing projects are still on going, just a bit more slowly than usual. The image above is a detail of what’s on the drawing board right now. Essentially it’s a larger colour version of a drawing I did over a year ago as part of the original cafe racer series in biro. I’ve been wanting to do a colour one for ages, so got the brushes out just before Christmas and have been chipping away ever since.

 

Like previous pictures this one is being done on Bristol Board using water colour washes and my trusty technical pens. Although progress is slow, I’m enjoying every minute of it and, taking my time has allowed me to make some considered changes to my plan and think a bit more deeply about what I’m doing.

 

This is all good stuff, but it’s also causing me to realise that I should perhaps be trying to do more with the paint. I’ll try and explain what I mean. At the core of it would be a feeling that I am not a natural painter, someone who’s automatically at home with the medium. For me, and this probably harks back to formative years, the application of paint to an image has always been a colouring in exercise, following some kind of predetermined outline to render a colour picture. It has never really ever been used as an expressive tool in its own right. As a result I’ve established this kind of comfort zone in which my painting exists and is quite cosy for me. So there’s a challenge in the near future to see if I can get out of that comfort zone and see if I can make more of what’s out there. People endlessly talk about thinking outside of the box these days, well this is a challenge of DOING outside of the box.Painting, whether it be in oils, acrylics or water colour is a combination of many skills and techniques and yes, it is daunting to think that one is only in possession of a small amount of skill and a couple of techniques but, it is also exciting to know that there is a world of image making still out there waiting to be tried. My professional life does not allow me the luxury of experimentation so, somehow expectedly, I’ll need to break some habits too if I’m going to improve my skills. Rather like the picture from the last post, you never know what’ll happen until you try, so flinging some paint around could reveal some interesting things. The key will be to learn, as much as create and make. Here’s to an experimental and rewarding 2014.  I’ll keep you posted.

 

The strength of conviction.

I realised this morning, with a somewhat heavy heart, that I hadn’t posted here for over a month. The shame induced by this sorry situation was dealt with swiftly, over a cup of coffee, as I set up the computer on the kitchen table and took some photographs of the latest completed drawing. Working here rather than in my little studio has its disadvantages, the cat likes to clamber over me and wander freely over the keyboard, but the light is great and the french windows afford me a view of the sky and some trees which lift the spirits on a cold morning.

The Bull, biro on drawing paper by Jon Tremlett 2013

So here, finally, is the finished version of The Bull. Regular followers will know that this drawing has taken me an age to complete, and has also been the reason behind a creative journey from unbounded enthusiasm, through plodding frustration, and finally to a kind of relieved joy. Shutting it away in a drawer and going off to do other things helped to put some distance between me and the problems I had with it but, what actually tipped the balance was showing it to my partner and talking the problem through. Fresh eyes and a critical view from someone possessed of no mean creative talent themselves, helped me to see what I had previously not been able to visualise. With refreshed urgency I was then able to finish it off in a single afternoon sitting.

 

I have just started reading a very interesting little book about drawing and I’ll post my thoughts on it when I’ve got a bit further through it. I’m only a couple of chapters in but have already come across a possible explanation as to why this particular image was so problematic for me. Courage, or the lack of it, was holding me back. The fear that I would end up making a complete pigs ear of things was actively stopping me from making marks on the paper, even in light pencil. My minds eye knew roughly what I was after but the connection between imagination and enactment was somehow broken. The fear of failure, of coming away from something one had already invested so much time in with little to show for it, had called a halt to the free flow that had powered the making of the drawing thus far. By taking a break and sharing it with another set of eyes I realised that it was the strength of my conviction that was holding everything up. Rather than deciding on a single course of action and working that through, I had been sketching out possible solutions without really settling on any of them. I had put myself at the centre of a loop I couldn’t get out of. Loop broken, I was able to focus and finish the task quite easily. Much important learning was done. This doesn’t mean it won’t happen again, but at least I’ll have a better idea of how to deal with it when it does.

 

I hope you enjoy the picture as much as I do now.

 

Overcoming Bull-headedness.

Bike sketch in brown ink by Jon Tremlett ©2013

For those of you who have been following the saga of the large biro drawing, known around here as “The Bull”, you will note that todays offering is not it, it’s something else, something a little different. Why? Well to be honest with all of you, I’m having a bit of a battle with it, and as a consequence it remains unfinished. I’m beginning to wonder who the bull really is. It is truly the drawing or perhaps it’s me, as I find myself repeatedly charging full pelt at a gate which is refusing to give way. A concerted effort last week to resolve the impasse bore nothing but a large pile of scrunched up tracing paper, wasteful certainly, and enough to provide bedding for a hamster for about a year. I have since decided to leave it alone for a while.

 

Having got utterly steamed up about it, backing off and calming down has led me to realise that this conflict is nothing new. It is one of the uncomfortable truths that surround any creative process. It is certainly not unusual to find oneself completely bereft of ideas during a concept design phase in the studio. Having “brain dumped” for several hours in a morning it is not a surprise to find out that your mind is totally empty and your imagination has gone walkabout. The energy previously expended in generating new ideas gets refocused into frustration and before you know it you’ve got a nice little vicious circle going.  Backing away, doing something else for a while unblocks the pipes and lets things flow again. So for now the drawing is sat on the other side of the room, the recipient of the occasional glance but nothing more. It will come to me when it’s ready, but probably not before.

 

So what’s with this brown thing? Well, it’s a sketch I made a while back, always good to have a back up plan for a post if things go awry, whilst playing with the idea of drawing in other colours. Being a sucker for a cheap pen I’d purchased a tasteful set of biro pens in assorted colours and was intrigued by what they might bring to the party. Initial scribbling revealed that some of the colours, yellow in particular, might not be strong enough, but the brown showed immediate promise. You may remember the cartoon of the authentic biker a while back, that was done with this pen. The basic pen itself gives the drawing a lovely aged feel but it’s a bit limp when it comes to creating good contrast. As luck would have it I’d also found a brown gel rollerball pen, which when used with the biro gives a degree of heft to the dark bits and lends the whole thing a much needed punchiness. This is very much a learning exercise but one that worked out well. Now to get my hands on some cream coloured paper and find out where I can get brown biro refils without the need to buy a whole set when it runs out, which it will, soon.

 

Never say never again.

Pen and ink drawing by Jon Tremlett for soulcraftcandy.

The weekend proved reasonably productive in the end with a fair bit achieved on both of the pictures featured in the last post. Not bad going, considering that most of Saturday was actually spent grappling with the pruning of a monster shrub that lives in my back garden. This thing puts on about four feet of fresh growth annually and as a result needs a good trim at least once a year. I swear it’s a Trifid, its appetite for resources must be huge and it dwarfs everything around it. The killer app is a telescopic long range pruning cutter, but I digress.

 

The big picture now has a rider figure with jeans and a jacket but not much more. More importantly the small “dot” picture is now finished, as you can see above. There was a bit of tidying up to do yesterday but that is now it, the end, it’s done. I’m pretty happy and so is my drawing hand which was starting to shake involuntarily by the end of a marathon dotting session on Sunday. All things considered it’s not too shabby and although I was unsure to start with, using the framing line on the right hand side only, really helps to balance the image. All it needs now is a proper title, it has a working one which is not quite right. 

 

What’s next? Time for some gentle watercolour stuff I think, I have an image already traced out in pencil, and some low impact biro work to get a couple of pending projects up and running. They say “never say never again”, but no more dotting, oh no, not for a while.

 

Two wheels on my wagon.

Biro drawing by Jon Tremlett for soulcraftcandy 2013.

Yes, I know, it’s not finished yet. But things have moved on somewhat from where it was for the last post. As you can see there are now some wheels present and the main underlying structure of the bike is pretty much done now. This is becoming a labour of love, but a very rewarding one given the amount of time I’m taking over it. The paper being used is a heavy weight kind of textured drawing paper which, whilst being great for delicate shading, requires much more work with the pen to achieve the true blackness you need for certain details. It’s starting to look really punchy though, and that bodes well for the final result. One must just make sure that one doesn’t overdo it with the background and swamp it, a lighter touch may be required for that. Here below is a detail shot of the drawing to give you a better idea of the technique I’m using.

drawing detail by Jon Tremlett at soulcraftcandy 2013

The last week has been spent drawing detail sketches for the design of a large piece of medical laboratory equipment, who says design isn’t exciting (!), so it will be a welcome relief to put some energy into this picture over the weekend and have a go at completing some other stuff that is just crying out to be finished. One such piece is this little fellow below. To be honest I started this ages ago and kind of lost heart a bit.

Drawing detail by Jon Tremlett at soulcraftcandy 2013

Lovely though it is, the dot technique is laborious to say the least, and I’ll readily admit that maintaining concentration when “dotting” is hard. My inner procrastinator tells me to just leave it alone, but that would be too easy, a cop out, the true test of things like this is to grit ones teeth and push to the finish and learn from the experience. Lots of creative projects suffer from mid-term blues, but rarely get to the end in the same state. So, one final lunge to the finish line should see it done, and who knows it might look quite good by then.

 

 

 

Not idle, just busy.

Inking a bike cartoon by Jon Tremlett for Soulcraftcandy.

A very small pang of guilt always accompanies  the short gaps which crop up between posts. Try as we might, I’m sure most of us amateur bloggers suffer from the same twinge every time we look at our records and note the time passed since the last posting. And lets be honest, most of us are juggling busy everyday lives, where the opportunities to grab an hour or two for “doing your stuff” are often few and far between. If like me, your blog relies on a fair bit of creative output as well, then finding the time to “make your stuff” as well presents its own pressures.

 

Busy times make for lots of juggling, and grabbing the briefest moments in which to exercise the creative muscles. Being short lived, these moments often fail to embed themselves fully in the memory and one finds oneself often thinking that you haven’t done much at all. But this isn’t so, it’s just one perception of the extension of the period between starting something and actually finishing it. small steps mean slower progress, but progress none the less.

 

So here above is where I am in the inking phase of the drawing I showed you in pencil layout in the last post. Having not done a full blown biro drawing for a while I’d forgotten how much effort goes into them, but it’s pleasing to have got this far, and see it emerging slowly from the paper in all its glory. It is slightly bigger than previous efforts, I put some pens in the shot for scale, so will take a little longer anyway.

 

Much time is being currently spent adjusting to life with a new part time contract job, and its effect will ripple out for a little while longer as I find a new rhythm. I’m back working in an industrial design studio, something I haven’t done for quite a while. Although you never really forget how to do it, like riding a bicycle, it is only now that I’m realising that I am needing to use a completely different set of creative muscles than those utilised in just making models for folk and scribbling away at home. It is proving very enjoyable though, and brings much needed regularity to a freelance life riddled with the usual uncertainty.

 

Nevertheless there are lots of projects awaiting attention on the Soulcraftcandy side of things. There are some further investigations to undertake on the big format prints I want to create, there are some more spoof magazine covers lining up and a handful of fresh pencil layouts itching to be turned into something more distinct. And then there’s at least one post to write about my recent weekend trip to Berlin. Lots to do.

 

As I said, never idle, just busy.